Thursday, November 7, 2013

One, Two, Three-Four-Five



“Looking for a set of wheels?  We can beat all them deals.  Great is how you’re gonna feel.  We’ve got the cars that have appeal.  Come on down to Dave’s, let’s make a deal.  You’d better believe it!  Leary Chevrolet, Route 9-W, just South of Newbergh.  You’d better believe it!”

The above is an example of some of the completely useless information I have stuck in my head.  It is a commercial jingle I heard when I was eight years old, and we were living in New York.  It’s no wonder I try to sign my maiden name on checks half the time.  I can’t concentrate worth a damn.  And here are some of the reasons why.

I know the lyrics to entirely too many hair band songs.  I can’t remember my sister’s current address, but I know every word to “Unskinny Bop.”  Though this information might one day prove useful at drunken karaoke, these unintelligent and perverted lyrics are not something I want crowding my brain anymore. And for some reason, I know every word to “I Want it that Way” by the Backstreet Boys, even though I don’t recall making any effort whatsoever to actually listen to the Backstreet Boys.  The lyrics to many “One Hit Wonders” are also stored in my cursed cranium.  “Baby Got Back,” “Ice Ice Baby,” and “Mambo Number Five” are just a few of the offenders.  “A little bit of Monica in my life, a little bit of Erica by my side…”  And yes.  I meant to get that stuck in your head.  If I must suffer, then so must everyone…

Naturally, when I want to know the lyrics to songs I actually like, I can’t remember them to save my life.  I have to look them up, and then I promptly forget them.

I have also played the “Six Degrees of Kevin Bacon” game way too much.  It has permeated all forms of entertainment for me.  Do you know how many actors they re-use in “Law and Order?” I do.  I can identify them within seconds, along with which versions and which episodes they starred in.  I can even recognize actors from commercials and link them to movies and TV shows.  Other than the fleeting and nerdy sense of accomplishment it gives me, this information serves no practical purpose.  If I’m lost in the woods, the crickets and raccoons and vultures are not going to be impressed that I can link Joe Piscopo and Kevin Bacon within two steps.  Since I have not managed to retain even the most basic of survival skills, I will die of exposure or dehydration or bear mauling, while deliriously reciting lines from “Ghostbusters” or any of the other movies that I have memorized in their entirety...

Then there are certain things I’d really rather not know: some of the interesting but trivial tidbits I learned in college.  Like the chemical composition of stars.  And the many fun facts I retained from Biology of Human Disease.  Tetanus, and tapeworms, and cysts, oh my!   Not stuff I really want to dwell on.  Maybe I can be on “Jeopardy!” one day.  Until then, I must endure the burden of such useless knowledge in silence.

And of course there are commercial jingles.  And elevator music.  And the different versions of secular Christmas songs I had to listen to during my short stint as a department store employee.  Do you know how many versions of “Santa Baby” there are???

 “A little bit of Rita’s all I need, a little bit of Tina’s what I see…”

Dear God, make it stop.

Thursday, August 11, 2011

Here, by request, and at long last...

...is the 2007 Cheerio Death Match.

I've been watching too much boxing/ultimate fighting lately. So here's my recap of the canine Cheerio conflict that took place last week…

I don't think I'm alone when I say no one could have predicted the outcome of this dog fight. Featherweight Oliver Slavin, a Beagle from Portland, Oregon, really came on strong from the get-go. Unfortunately, Sydney Slavin, a five-time champion Shepherd from (you guessed it) Australia, clearly had the advantage. In a bid to defend himself from the onslaught of the Little Beagle that Could, Big Syd followed his instincts and went at it for all he was worth. The ref came in and tried to break things up a few times, but to no avail. A bystander from the crowd, half-Pit Bull and Boise native Harley Daniels, even tried to intervene by grabbing the little dog's throat in her jaws. In the end, however, bloodshed prevailed, and about a third of Oliver's ear flew to the floor. The owner of the ring cited disqualification due to unsportsmanlike behavior. So the prize so eagerly sought, a whopping five Cheerios thrown into the dog bowl, was denied to both dogs. I thought I'd seen it all, folks, but nothing has prepared me for the insane carnage I've witnessed today…


Friday, March 18, 2011

Z is for Zip

Z-Zero, The Yeah Yeah Yeahs. Now here is a song I could dance to, especially to celebrate the end of my alphabet. Being faceless in a crowd and losing your inhibitions seem prominent themes. I love the climax at “crying” and “climb higher.” In fact, most of the tune seems sexually charged, especially considering the mention of leather. This is just decent dance music that makes you think. And remember children, being a zero is always better than being a negative one...

Shake it like a ladder to the sun…

The Yeah Yeah Yeahs, “Zero,” It’s Blitz!, 2009

Y is for Yearning

Y-You Don’t Bring Me Flowers. This grandiose love song is about a broken relationship. The orchestra swells and fades just as the vocal lines do, thus making it a truly emotional experience. Barbara Streisand and Neil Diamond are two of my all time favorite singers, so it’s no surprise that this one made the list. My younger sister and I used to sing this together…I selfishly stole Streisand’s lines every time, thereby making my sister “the guy.” It really wasn’t fair, but Diamond’s range is just a little low for me, and when you sing the part an octave higher it all kind of sounds the same. The song needs to have a distinct male and female voice for it to feel right. Now that I’ve rambled enough about this one I think I’ll go sing it in the shower…

Well, I learned how to love and I learned how to lie. So you think I could learn how to tell you goodbye…

Neil Diamond and Barbara Streisand, “You Don’t Bring Me Flowers,” I’m Glad You’re Here With Me Tonight, 1977

X is for Xanax, Baby

X-Xanax and Wine. I love most U2 songs. “Xanax and Wine” is no exception. It opens with a loud and dirty guitar riff. The song itself seems comprised of three distinct sections. The accompaniment clearly changes on the line “all I want is a picture of you” and again at the chorus of “save me.” The lyrics seem to be about replacing a relationship with substance abuse, needing one or the other to survive. Or they may just signify needing a moment of calm in a world of chaos. However, as far as side effects are concerned, taking Xanax and drinking wine is not widely recommended.

All I want is a picture in a locket, your face in my pocket; I take a pill to stop it.

U2, “Xanax and Wine,” Unreleased and Rare, 2004

Tuesday, March 15, 2011

W is for Weary

W- Walk Away. The simplicity of this song is striking. It is a man with a unique and forlorn vocal instrument narrating a tale about the end of a relationship. The sparse guitar accompaniment gives the song the appropriately empty feeling. The song is honest, and heartbreakingly true. “It’s so hard to do, and so easy to say. But sometimes, sometimes, you just have to walk away…”

They say time will make all this go away. But it’s time that has taken my tomorrows and turned them into yesterdays…

Ben Harper, “Walk Away,” Welcome to the Cruel World, 1994

Thursday, March 10, 2011

V is for Vulnerable

V- Voices Carry. Ah, yes, another throwback to the 80s. The instrumentation on this one is unobtrusive, leaving plenty of room for the weighty lyrics. This is a story of a man more in love with his ego than he is with his unfortunate female companion. It is a song about suffering through the lack of reciprocation of feelings and respect. I have had a relationship like this one, unfortunately. Perhaps that’s why this song strikes a chord with me. The melody is a great one to sing along to because of the dynamic changes: there are certain parts where you can really belt it out, if you want. The addition of voices at the end is particularly effective, and gives the last part of the song a haunting quality.

He wants me, but only part of the time. He wants me, if he can keep me in line…

‘Til Tuesday, “Voices Carry,” Voices Carry, 1985